Sequencing Tips for the Moog Mother-32

Sequencing Tips for the Moog Mother-32

Most know the Moog Mother-32 as being a neat little semi-modular synthesizer. However, it also contains a step sequencer with lots of nice options. While you’re paused on a note during the creation of a sequence or while editing it after the fact, you can also edit duration, glide, ratcheting (repeats), accents, and rests for that step. In this post, I’ll go over how to access those options and show you how to program ratchets and glides.

Patching Pulse Width Modulation (PWM) with Arturia Modular V

Patching Pulse Width Modulation (PWM) with Arturia Modular V

I recently released a course on Lynda.com and LinkedIn Learning on how to use the Arturia Modular V software synth, which is modeled on the old Moog modular systems. Here I show how to create a typical PWM (pulse width modulation) patch, as well as describe some of the differences in using a Moog modular or the Modular V software compared to a typical Eurorack system.

Modular NAMM 2017.1: 2hp, Lifeforms, Verbos, & Moog

Modular NAMM 2017.1: 2hp, Lifeforms, Verbos, & Moog

I’m spending all four days at NAMM this year in hopes of seeing as many modular companies as possible. The following few days I hope to share my impressions of what I found interesting at this show, with a liberal dose of personal commentary thrown in. In this installment I cover 2hp, Pittsburgh/Lifeforms Modular, Verbos Electronics, and some musings on formats.

When Do You Actually Need a Buffered Multiple?

When Do You Actually Need a Buffered Multiple?

A perennial question is “do I really need a buffered multiple to connect to my oscillators?” The correct answer is “it depends” because there’s so many variables with the way different modules were designed. I figured it was time to flesh out those details so it didn’t seem like so much voodoo.