Welcome to Learning Modular: a site for musicians and sonic dabblers alike who are new to modular synthesis. Here you will find a growing list of in-depth articles, thoughtful musings, and videos on subjects such as choosing modules for your system, and putting them to work creating both new and familiar sounds.
Today’s installment is a study in extremes, going from exceptionally clean digital designs to purposely noisy and distorted analog ones, ending with a nice new envelope generator plus upcoming dual VCO. I also editorialize about “tone.”read more
One of the most talked about new modules at NAMM was the Frap Tools Fumana Dual 16 Bands Spectral Editor. It is from the same school of thought as the Buchla 296 Spectral Processor, and the Verbos Bark Filter Processor which came out last year and which I already...read more
Trade shows rarely go smoothly for exhibitors. On the first day of NAMM this year, I was surprised to find the Intellijel booth in the middle of an aisle instead of in their normal booth space. It turns out that a large pipe at the back of their booth had started...read more
A few of those themes that emerged during this year’s NAMM show included CEM 3340-based VCOs (as there are now two sources for this classic, previously-unavailable chip), granular synthesis, semi-modulars, and multiple voices. I touched on that last one in the first installment, with 4ms’ Spherical Waveform Navigator being capable of 6-voice polyphony; in general, more companies are looking at configuring a modular to produce more than one sound at the same time – and we’ll look at a few of them here.read more