by Chris Meyer | Feb 16, 2018 | Musings |
The 5U or “Moog Unit” (MU) modular format does not get much representation at NAMM, with Moog, Moon Modular and STG Soundlabs being the usual stalwarts. Moog skipped NAMM this year, but an unexpected source – Noise Engineering – stepped into the breech with three new 5U modules – as well as a few new Eurorack ones too, of course. I should also note that Buchla returned to the show floor, recently being bought by Foxtone Music – many have applauded this move as putting it in the hands of someone who truly cares about their history and synthesis in general, rather than just making a profit.
by Chris Meyer | Feb 15, 2018 | Musings |
It’s nice to see sound source ideas beyond our beloved sawtooth and square waves become more common in the modular world. In the next two installments I’m going to focus on a pair of these trends: plucked sounds and granular synthesis. Other mini-trends include the Eurorack world going Goth, and further proliferation of CEM3340-based VCOs.
by Chris Meyer | Feb 14, 2018 | Musings |
Today’s installment is a study in extremes, going from exceptionally clean digital designs to purposely noisy and distorted analog ones, ending with a nice new envelope generator plus upcoming dual VCO. I also editorialize about “tone.”
by Chris Meyer | Feb 13, 2018 | Musings |
One of the most talked about new modules at NAMM was the Frap Tools Fumana Dual 16 Bands Spectral Editor. It is from the same school of thought as the Buchla 296 Spectral Processor, and the Verbos Bark Filter Processor which came out last year and which I already...
by Chris Meyer | Feb 12, 2018 | Musings |
Trade shows rarely go smoothly for exhibitors. On the first day of NAMM this year, I was surprised to find the Intellijel booth in the middle of an aisle instead of in their normal booth space. It turns out that a large pipe at the back of their booth had started...
