Welcome to Learning Modular: a site for musicians and sonic dabblers alike who want to learn more about modular synthesis. Here you will find my online courses, the book Patch & Tweak, a glossary, and additional useful information.

Training link

Training

my Learning Modular Synthesis online training courses

Articles link

Patch & Tweak

the new book I co-wrote on modular synthesis

Videos link

Social Media

where to find my latest online posts, videos and articles

Blog Posts

fundamental concepts, show reports, & more

My most in-depth, up-to-date, insider-information posts may be found on my Patreon channel.
I am also active on other social media channels including Facebook, YouTube, and Instagram.

Below are select posts from this web site on fundamental concepts that will hopefully help your modular explorations. This site also contains additional blog posts on trade show reports, excerpts from my courses, and more; click here for the full list.

Unlocking the Expert Sleepers FH-1 ‘faderHost’

Unlocking the Expert Sleepers FH-1 ‘faderHost’

Modern MIDI controller keyboards come with a lot of input options. However, very few MIDI to control voltage + gate (CV/Gate) converters have enough outputs to take advantage of all these performance inputs, plus restrict how you use them to select operating modes. By contrast, the FH-1 comes with eight outputs (expandable to 64), with all of its operating modes available simultaneously. I’ll explain a couple of approaches to harnessing all that power.

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When Do You Actually Need a Buffered Multiple?

When Do You Actually Need a Buffered Multiple?

A perennial question is “do I really need a buffered multiple to connect to my oscillators?” The correct answer is “it depends” because there’s so many variables with the way different modules were designed. I figured it was time to flesh out those details so it didn’t seem like so much voodoo.

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Second Oscillator, or Waveform Animator?

Second Oscillator, or Waveform Animator?

Many semi-modular synths have just one VCO. They usually feature a square wave with pulse width animation, but if you want to use the sawtooth wave instead, the sound can be rather static. A common addition is a second oscillator; an interesting alternative is a “waveform animator.”

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Patching a Ratcheting Sequence

Patching a Ratcheting Sequence

Ratcheting is a Berlin School sequencing technique where an individual note in a sequence has its envelopes retriggered multiple times, usually at a musical subdivision of the sequence’s tempo – such as playing 1/32 notes in the middle of an 1/8 note sequence – to create a roll. Although used since the 70s, not everyone knows how to create a ratcheting patch on their modular. In this article I demonstrate creating and performing several typical ratcheting patches.

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